Couwenberg is a gleaner of shapes, savoring their implicit allusions and relationships, and he uses his canvasses as Petrie dishes, letting his forms interact with each other like microorganisms. Many of his paintings feature television or soap dish shapes, which he layers like theatrical scrims, to reveal previous stages of the works creation. His recent paintings are among his most sumptuous and refined, featuring forms that suggest lozenges, wedges, or flippers from pinball machines, arranged in dynamic symmetries. (Another family of shapes his work implies: car taillights). The contrast of textures between these glossy windows and the spans of paint surrounding them can be riveting.
-George Melrod, ARTltd Magazine, 2009
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